From Ann Coulter's "The Dems' Bottomless Weaponization Fund"
Tuesday, June 30, 2026
Wednesday, October 29, 2025
Print Store Online
From time to time readers have asked whether "Ann Coulter : Human Document" prints or merch are available. The answer has always been no… until now. I've now got a store offering high-resolution photographic prints of selected images.
Each is a C print mounted to a 3/4 in. thick panel. The panel is predrilled for easy hanging, and an easel stick (included) allows instant desk display.
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Print Store
Saturday, June 28, 2025
Thursday, June 27, 2024
Friday, June 30, 2023
Friday, December 2, 2022
Tom Phillips, 1937-2022
Tom Phillips died Nov. 28. Here are obituaries from The Guardian, Telegraph, and Art Newspaper.
New to me from the Guardian write-up is "sound tennis," a game Phillips invented with Brian Eno. Eno described it as "a kind of hand tennis played in a room full of old pianos, the scoring being based on the noise they made when you hit one of them."
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| After Tacitus, 200 A.D., a collage, was shown in the Royal Academy's Summer 2022 exhibition |
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Tom Phillips
Friday, July 1, 2022
Wednesday, June 23, 2021
Friday, June 19, 2020
Monday, July 1, 2019
Tuesday, June 19, 2018
Wednesday, June 28, 2017
Thursday, June 30, 2016
Monday, July 13, 2015
Tuesday, July 1, 2014
Saturday, June 14, 2014
Tuesday, December 3, 2013
Stunning, Sleazy, or Stupid? Meet The Deletionist
Anyone interested in the poetics of erasure should explore The Deletionist, a browser app promising to transform any mere document into a Humument. Go to the Deletionist page and drag the icon onto your browser's bookmark bar. That installs the code. Thereafter clicking on the Deletionist bookmark will create an erasure poem of whatever webpage you're viewing. Above is an example from a recent Ann Coulter column.
The Deletionist is the creation of Amaranth Borsuk, Jesper Juul, and Nick Montfort. As they explain,
"The system is deterministic — there is no random element. The Deletionist chooses a method of erasure based on the properties of the Web page. So, for static pages, you can share a particular result with others by simply sharing the URL, and their loading the page, as with your reloading it, will produce the same result. However, if the page changes, the system may change its method of erasure."
As far as I can gather, the algorithm searches for certain kinds of lexical and syntactic rhymes in the page's text. In the example at top, it uses alliteration. At the bottom of this post is an output riffing on indecision: um, er, yea, no.
This is interesting because, as usual, there's nothing wishy-washy in Coulter's prose. The Deletionist must be sensitive to the bigrams "um" and "er." The instances in the dark gray bar come from anncoulter.com's menu bar choices of "Forum" and "Twitter." Below that, "No" and "er" are from the article's date, November 27.
The Decisionist transformed another recent Coulter column into a poem focusing on numbers, and another to a riff on "to be or not to be." There is thus some considerable range to its output.
As someone who has been playing Tom Phillips' game for a while, I can say that this parallels the way a human creates an erasure poem. The challenge is to look past the author's meaning and see constellations of fragments. I count it as a rare victory when I find a word like hispanic—Coulter uses it repeatedly—that I can truncate amusingly to panic.
Like everything else, The Deletionist is best considered a beta release. I think it points to a future in which stochastic, post-Fluxus poetry/collage/cut-up will increasingly be algorithm-aided.
Thursday, July 4, 2013
Tuesday, July 3, 2012
Saturday, July 9, 2011
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